Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa's powers in order to save their kingdom.
Important Notice about Showtimes
After six years on the cinema scene, we’re sad to announce that WeLoveCinema will stop delivering showtimes and cease updating from Friday 4 August, 2023.
This wasn’t an easy decision, but we’re incredibly proud of what we achieved in that time, and are grateful for the experiences and opportunities that came our way.
If characters in musicals should burst into song because their emotions have become too much for mere words, the characters in Frozen 2 simply sing because they are characters in Frozen 2.| Read in full: Frozen 2 film review We Love Cinema
It’s nice to see these figures again, but I couldn’t help feeling that there is something a bit underpowered and contrived about the storyline in Frozen II.The Guardian
It carries the same lacklustre energy of one of Disney’s direct-to-video sequels from times past: 1998’s Lion King 2: Simba’s Pride, or 1994’s The Return of Jafar.Little White Lies
If the final act underwhelms in the action stakes, Frozen II still delivers where it really counts — the emotional beats and relationship between Elsa and Anna, who continually strengthen and uplift each other across the runtime.Empire
No sequel is essential, but Frozen 2 makes the argument that, even in the fairy tale land of Disney, they can still be important.Indiewire
In a world where old-timers accuse the youth of being oversensitive snowflakes, Frozen II shows what it means to have one’s heart in the right place.Variety
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
