Spellbound for Glory
In a music industry saturated by bands of all shapes and sizes, many often wonder how to positively differentiate themselves from the rest of the pack. Whether it be an outlandish look, a sonically unique vocalist, or even just good ol’ catchy tunes, what will make them stand out from the rest?
Walloh managed to get a copy of London folk duo Any O’Neill and Cee Cee’s EP Admissions a week before launch and it is safe to say they have that aforementioned uniquity.
Opener Spellbound Or Hellbound is rightfully first because, not only is it the best track on the record, it sets the tone for the EP and manages to encapsulate the duo in one fell swoop. It has a good acoustic melody with great harmonies accompanied with many tonally shifting musical parts.
Most of all they, themselves, have an overwhelming sense of theatricality, which sets them apart. It is truly interesting, if not a little bonkers, to play kick and snare with your feet while singing and playing guitar.
The background harmonies of Times Of Change and Dear Future Self manage to shine through here. The clever song writing allows the music to build up to the dramatic choruses. Evolution In Disguise is more of a straightforward affair with a great rhythm section and a flowing vocal ad-lib in the middle eight. Be sure to check out the live acoustic version’s raw and more honest performance.
The EP was also ‘ethically’ produced with a DIY attitude to the whole production process. By using reclaimed and home-made instruments they truly understand, not just what music is about, but all creativity – creating something from nothing – and applaud their work ethic.
This is a case where the tried and tested pillars of vocal harmonies, acoustic guitar and dramatic strings work well together and Admissions ends up being an enjoyable theatrical romp.
Any O’Neil and Cee Cee launch their brand new EP on November 28th at The Montague Arms, Peckham. Don’t miss this…
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