The Lock, Stock director stamps down on a lot of his usual flourishes for an earnest war movie about brotherhood and honour
From its grand opening to its audacious ending, Damien Chazelle's latest drowns its flaws in a tidal wave of laughs, feeling and craft
Will Smith's first "post-slap" performance elevates a sometimes-impressive, sometimes-misfiring drama from Antoine Fuqua
As Juno turns 15, Yasmin Omar explores how the actor's perfectly pitched turn as an adoptive mother helped to define her career
François Ozon's shouty reinterpretation of the German filmmaker's 1972 masterpiece fails to bring anything interesting to the table