BY

Ben Young

Related Reviews/Features

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Repertory Rundown: What to Watch in London This Week, From Douglas Sirk to Duel

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Repertory Rundown: What to Watch in London This Week, From Bastards to The Big Sleep

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

The Graduates review – quiet school shooting drama is searingly powerful

Hannah Peterson's deft, heartbreaking debut film explores trauma through the perspectives of three people touched by tragedy

Amanda review – hints of Lanthimos in sharply funny Italian debut

Carolina Cavalli's film about a friendless young woman brilliantly captures the anxiety and social ineptitude of the post-COVID youth

The Old Man Movie: Lactopalypse! review – berserk stop-motion comedy is a laugh riot

This absurdist Estonian animation from Mikk Mägi and Oskar Lehemaa makes for a maddeningly immature and hilarious ride

Four Daughters review – complex but flawed act of cinematic therapy

Kaouther Ben Hania's immersive doc finds potent truths in its re-enactments, but loses focus as it gradually abandons its premise

The Breaking Ice review – chilly exploration of malaise leaves you wanting more

The latest film from acclaimed writer-director Anthony Chen tells the story of three disaffected youths, but ultimately feels underdone

Peter Pan & Wendy review – serviceable but just a bit pointless retread of a classic

David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure

Love According to Dalva review – deafeningly empty exploration of child abuse

This miserable and pointless debut feature from writer-director Emannuelle Nicot has nothing to say about its traumatic subject matter