Dani

Related Reviews/Features

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Firebrand review – Jude Law can’t save an unnecessarily revisionist Tudor drama

Though the actor does compelling work as Henry VIII, Karim Aïnouz’s portrait of Catherine Parr is surprisingly bland viewing

Spider-Man: Across the Spider-Verse review – web-swinging sequel is out of this world

Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again

The Old Oak review – Ken Loach’s last film is classic Ken Loach, for better or worse

The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through

Blackbird Blackbird Blackberry review – visually striking and wonderfully acted Georgian midlife drama

Elene Naveriani's stylish third feature tells the story of a 48-year-old woman who begins to break down the barriers in her life

Anatomy of a Fall review – Sandra Hüller is the elusive soul of this extraordinary legal drama

Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn

The Delinquents review – slow heist flick is equally funny and frustrating

Argentinian director Rodrigo Moreno's three-hour almost-thriller about a bank robbery delights and confounds in equal measure

Beau Is Afraid review – no cure for childhood trauma in Ari Aster’s latest

The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle

How to Blow Up a Pipeline review – eco-terrorism drama is as exciting and radical as its title implies

Daniel Goldhaber's film takes its cues from the paranoid thrillers of the '70s to craft a very fun but deeply serious ode to young activists

Sick of Myself review – outrageous satire will make you laugh with disgust

Norwegian director Kristoffer Borgli spins a fearless rom-com about a woman who chooses to engineer her own self-destruction