The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration
First-time director Dmytro Sukholytkyy-Sobchuk delivers a richly drawn, impressively subtle film set on the Ukrainian borderlands
With the year at the halfway point, our writers choose their favourite films, from Bollywood bangers to belated blockbusters
To coincide with the release of Parallel Mothers, Fedor Tot delves into the great Spanish filmmaker's vast and transgressive canon...
Céline Sciamma's latest Petite Maman joins a host of strange and otherworldly features about doubles, look-alikes and duplicates
Pietro Marcello’s ambitious film of Jack London's novel rests on the shoulders of an inscrutable performance from Luca Marinelli
The long-awaited Scarlett Johansson solo vehicle is a solid actioner but fails to break new ground with the character
The debut film from Fernanda Valadez is a quietly tense and brutal descent into the borderlands, as a woman searches for her lost son
This effective but disjointed coming-of-ager from director Cássio Pereira dos Santos examines the marginalisation of trans youth