Don Gordon

Related Reviews/Features

Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Mad Fate review – wildly uneven Hong Kong thriller has plenty of panache

Filmmaker Soi Cheang's latest sags somewhat in the middle but is packed with enough style and showmanship to make it worthwhile

A Woman Talking: Trusting the Process in the Work of Sarah Polley

To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director

Halloween Ends review – mostly satisfying ending to a hit-or-miss slasher trilogy

David Gordon Green just about makes up for 2021's woeful Halloween Kills with a smarter and more character-driven finale

Mrs. Harris Goes to Paris review – Lesley Manville will charm your socks off

The British actor is irresistible as a chirpy housekeeper on a mission to buy a Dior dress, in a film that warms like a nice cup of tea

The Batman review – mostly compelling Robert Pattinson reboot plays it safe

Matt Reeves' very serious take on Gotham's iconic hero grips in the moment, but is neither fun or dark enough to fully define itself

Flux Gourmet review – culinary black comedy is mostly inedible

British filmmaker Peter Strickland’s food-obsessed fifth feature is big on detail but fails to make us care about its characters

Halloween Kills review – slasher sequel is fatally hamstrung by its middle act

Despite a massive body count, part two of this rebooted trilogy is almost all filler, no killer, treading water until the finale arrives

Last Night in Soho review – Edgar Wright’s horror homage is no fun

The British filmmaker has crafted a loving tribute to British horror that's too respectful and sincere to leave a lasting impression

Best Films to Watch in London and Stream This Week (16 Oct 2020)

From cinema releases to streaming gems, including a remake of a Hitchcock classic and a glowing documentary about K-Pop