Helena Wittmann's second feature is a patient exploration of looking, with shades of Claire Denis’ 1999 classic Beau Travail
Sebastian Meise's study of systemic homophobia in post-war Germany is magnificently acted and strikingly composed
In the first of a new series, our writers sing the praises of their favourite film endings. This week, Ella Kemp celebrates the subversive climax of Greta Gerwig's Little Women