From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Wes Anderson's latest retro foray is visually inspired, but too many characters and a formal stiffness always keeps us at arm's length
Writer-director Carlota Pereda's tense blend of coming-of-ager and teen slasher expertly avoids shallow reflections on body image
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
To coincide with the 25th anniversary of Robert Zemeckis' sci-fi classic, Luke Walpole looks back on its perfectly pitched lead turn
With the year at the halfway point, our writers choose their favourite films, from Bollywood bangers to belated blockbusters
Ruben Östlund's outrageous follow-up to The Square is undeniably entertaining, but its ideas about wealth feel shallow and obvious
An overly busy plot with far too many characters gets in the way of both the emotions and the jokes in Illumination's latest animation
Céline Sciamma's latest Petite Maman joins a host of strange and otherworldly features about doubles, look-alikes and duplicates