The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again
Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration
Emilia Jones and Nicholas Braun headline an adaptation of the acclaimed short story that can't help but feel dated in its message
An enticingly snowy and spooky premise is wasted on an overlong, unsatisfying, and poorly acted murder-mystery from Scott Cooper
Florian Zeller takes a baffling, colossal step backwards in a follow-up to The Father that has nothing to say and still says it badly
Jenny Agutter reprises her iconic role in an endearing but emotionally underpowered follow-up to the 1970 British classic
With just a few days to go, we asked our regular contributors for their favourite nominees, from Dune to Drive My Car
As another cinematic year draws to a close, our writers choose their favourite films, from miraculous musicals to subversive westerns
This remake marks the director's first ever musical, a remarkable achievement that fills the screen with life, light, colour, and song