Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again
Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn
Argentinian director Rodrigo Moreno's three-hour almost-thriller about a bank robbery delights and confounds in equal measure
Daniel Goldhaber's film takes its cues from the paranoid thrillers of the '70s to craft a very fun but deeply serious ode to young activists
Norwegian director Kristoffer Borgli spins a fearless rom-com about a woman who chooses to engineer her own self-destruction
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Chinonye Chukwu's latest film is a precise, exacting study of America's all-too recent history, centred on an incredible lead turn
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
An enticingly snowy and spooky premise is wasted on an overlong, unsatisfying, and poorly acted murder-mystery from Scott Cooper
Though this three-hour autobiography can be irritating, it's also a visual marvel with a surprising amount of proper entertainment