Tom Conti

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10 Must-See Films at BFI London Film Festival 2022

As the latest edition of the festival returns to the capital, Ella Kemp highlights some of this year's most essential features

The Forgiven review – rich racists make for dull company in a dark quasi-thriller

John Michael McDonagh's angry but sluggish adaptation lacks dramatic punch, falling short in its attempts at anti-wealth satire

American Prophet: Jodie Foster and Contact

To coincide with the 25th anniversary of Robert Zemeckis' sci-fi classic, Luke Walpole looks back on its perfectly pitched lead turn

The Railway Children Return review – lively sequel chuffs along cheerfully enough

Jenny Agutter reprises her iconic role in an endearing but emotionally underpowered follow-up to the 1970 British classic

20 Best Films of 2022 (So Far)

With the year at the halfway point, our writers choose their favourite films, from Bollywood bangers to belated blockbusters

Emergency review – comedy turns to horror in this “one crazy night” caper

Systemic racism and white entitlement fuel Carey Williams's gripping dramedy about a Black friendship stretched to the limit

Top Gun: Maverick review – bravado sequel blows the original out of the sky

This follow-up to the 1986 classic surpasses all expectations, a slickly drawn adrenaline hit that reaffirms Tom Cruise's star status

Nightride review – generic Brit-thriller elevated by its one-take conceit

Stephen Fingleton's real-time tale of a Belfast drug deal gone wrong is stylistically ambitious but could have done with a better script

Living review – miraculous remake of a Japanese masterpiece

Bill Nighy gives one of his best performances in this beautiful and emotionally ripe redo of Akira Kurosawa's 1952 classic Ikiru

Boiling Point review – one-take kitchen drama is a recipe for success

Stephen Graham plays a head chef whose entire life is about to explode across 92 sweat-inducing minutes