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Related Reviews/Features

While We Watched review – electric account of what it means to be in the eye of a raging storm

Director Vinay Shukla's vital documentary hones in on NDTV news anchor Ravish Kumar as he faces pro-Modi nationalist hysteria

Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Small, Slow But Steady review – boxing biopic is an uppercut above the rest

Shô Miyake's film about the world's first hearing-impaired professional woman boxer brilliantly sidesteps the standard beats

Repertory Rundown: What to Watch in London This Week, From Bastards to The Big Sleep

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

The Breaking Ice review – chilly exploration of malaise leaves you wanting more

The latest film from acclaimed writer-director Anthony Chen tells the story of three disaffected youths, but ultimately feels underdone

Monster review – robust and empathetic excavation of teenage life

Hirokazu Kore-eda's latest blends melodrama and psychodrama as a mother attempts to understand her son's strange behaviour

Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”

Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war

Pamfir review – technically superb and powerful filmmaking from Ukraine

First-time director Dmytro Sukholytkyy-Sobchuk delivers a richly drawn, impressively subtle film set on the Ukrainian borderlands

The Plains review – sensitive and perceptive journeys on the nature of time

David Easteal's three-hour film, shot almost entirely from inside a car, makes mundanity into something genuinely profound