Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn
The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel
This Robert Harris adaptation will be sure to please World War II buffs, though an excess of plot means it fails to consistently thrill
Dan Stevens gives a pitch-perfect turn in Maria Schrader's thoughtful comedy, but her film fails to make a lasting impression