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Ian Hart
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Related Reviews/Features
The Virgin Suicides review – Sofia Coppola’s enigmatic debut is blissfully strange and sad
Now back in cinemas in 4K, the director's first film, based on Jeffrey Eugenides' novel, remains brilliantly elusive and challenging
La Syndicaliste review – Isabelle Huppert powers a shockingly bleak true story of corruption
The case of Maureen Kearney makes for a fury-inducing, though oddly slow, paranoid thriller of intimidation and harassment
Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
The Dam review – Sudan-set drama is evocative but unspecific
Though we might have seen a more politically radical film, Ali Cherri’s dreamy debut has echoes of Apichatpong Weerasethakul
Raging Bull review – an exhausting, bloodied, technical tour-de-force
Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome
Repertory Rundown: What to Watch in London This Week, From Billy Liar to Beau Travail
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
The Age of Innocence review – Scorsese’s “violent” period drama is a thing of lavish excellence
The director's 1993 take on Wharton's novel positions upper class New York as a cutthroat world equal to those of his gangster films
The Middle Man review – off-kilter black comedy doesn’t stick the landing
Norwegian filmmaker Bent Hamer's bleak but well-crafted look at Rust Belt America is a deadpan delight... until an ill-judged last act
Sanctuary review – Margaret Qualley and Christopher Abbott play a brilliantly wicked game
The heir of a hotel empire tries to end his relationship with a dominatrix in Zachary Wigon's twisty and electrifying erotic thriller
The Beast in the Jungle review – euphoric and melancholic reimagining of Henry James
The writer's 1903 novella is transposed to a Paris nightclub in Patric Chiha’s lushly-drawn but somewhat emotionally bereft new film