Ian Hart

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Now back in cinemas in 4K, the director's first film, based on Jeffrey Eugenides' novel, remains brilliantly elusive and challenging

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The case of Maureen Kearney makes for a fury-inducing, though oddly slow, paranoid thriller of intimidation and harassment

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Though we might have seen a more politically radical film, Ali Cherri’s dreamy debut has echoes of Apichatpong Weerasethakul

Raging Bull review – an exhausting, bloodied, technical tour-de-force

Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome

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The Age of Innocence review – Scorsese’s “violent” period drama is a thing of lavish excellence

The director's 1993 take on Wharton's novel positions upper class New York as a cutthroat world equal to those of his gangster films

The Middle Man review – off-kilter black comedy doesn’t stick the landing

Norwegian filmmaker Bent Hamer's bleak but well-crafted look at Rust Belt America is a deadpan delight... until an ill-judged last act

Sanctuary review – Margaret Qualley and Christopher Abbott play a brilliantly wicked game

The heir of a hotel empire tries to end his relationship with a dominatrix in Zachary Wigon's twisty and electrifying erotic thriller

The Beast in the Jungle review – euphoric and melancholic reimagining of Henry James

The writer's 1903 novella is transposed to a Paris nightclub in Patric Chiha’s lushly-drawn but somewhat emotionally bereft new film