From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Robin Hardy's iconic nightmare is back for its fiftieth anniversary, reaffirming its status as a singular entry in the horror canon
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel
Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
Florian Zeller takes a baffling, colossal step backwards in a follow-up to The Father that has nothing to say and still says it badly
Owen Kline's debut owes an immense debt to the Safdie style, but finds ways to make it its own with big laughs and a fantastic cast
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...