First-time director Dmytro Sukholytkyy-Sobchuk delivers a richly drawn, impressively subtle film set on the Ukrainian borderlands
Though this three-hour autobiography can be irritating, it's also a visual marvel with a surprising amount of proper entertainment
To coincide with the release of Paul Greengrass' News of the World, we look back at some of this unstoppable genre's recent greats
Jennifer Kent has followed The Babadook with a relentlessly brutal and brilliantly complex revenge flick