Though it conjures up some compellingly freaky ways to visualise internalised misogyny, there's more to irritate than intrigue
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
The case of Maureen Kearney makes for a fury-inducing, though oddly slow, paranoid thriller of intimidation and harassment
Leonor Serraille's gorgeous new film, about an Ivorian family in France, balances a grounded tale with splashes of the surreal
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Mia Hansen-Løve changes lanes for a deceptively light romance about a woman, played by Léa Seydoux, dealing with love and loss
Norwegian filmmaker Bent Hamer's bleak but well-crafted look at Rust Belt America is a deadpan delight... until an ill-judged last act
Nicole Holofcener’s low-key look at the lies we tell each other to get by strays from universal comedy into far too niche territory
Emilia Jones and Nicholas Braun headline an adaptation of the acclaimed short story that can't help but feel dated in its message
Phoebe Dynevor and Alden Ehrenreich play a clashing power couple in writer-director Chloe Domont's sharp debut feature