With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Elene Naveriani's stylish third feature tells the story of a 48-year-old woman who begins to break down the barriers in her life
Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there
Brandon Cronenberg's twisted third feature intrigues and disturbs but can't find anywhere interesting to take its best ideas
Nicolas Cage gives one of his laziest performances yet in this crudely made and largely joyless western hodgepodge
Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
Leah Purcell writes, directs and stars in this refreshingly feminist and well acted revenge tale, set in colonial Australia
Ahead of the 94th Academy Awards, we look back at the Best Picture nominees and ask: which one deserves to take home the big prize?