From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Terrible jokes, cringe-worthy performances, and jaw-droppingly ugly VFX work make for a truly wretched blockbuster experience
Mark Lyken's film captures the mundane joys of Hawick life through a breezy 90 minutes that entertains without saying much
The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Japanese animator Makoto Shinkai's latest is an urgent, allegorical adventure about his nation's grappling with natural disaster
Dominik Moll's queasy follow-up to Only the Animals is a sticky, damning indictment of the way men make the world less safe