Pierre Földes adapts the revered Japanese novelist to sometimes diverting effect, but the approach is frustratingly surface level
Ryûsuke Hamaguchi delivers his best film yet with this self-consciously epic, three-hour tale about a director and his driver
Ana Lily Amirpour's hypnotic third feature could be accused of style over substance, but it's so much fun you're unlikely to care
WeLoveCinema counts down our favourite movies, from bold sci-fi stories to a truly essential documentary...