The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel
Christoph Hochhäusler’s queer crime drama has electric chemistry to boot, but loses itself in an overly complicated and winding plot
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
The Irreversible director changes lanes for a gentler examination of one's final years that still packs the blunt force of his best work
Writer-director Michael Sarnoski serves up a deeply strange and mysterious debut, a melancholy tale that lingers like a good meal
Director duo Michael Dweck and Gregory Kershaw offer up a gorgeous and evocative portrait of ageing truffle hunters in Italy
Kicking off a new series about the films our writers have reconsidered, Ella Kemp on going from Frances Na to Frances Ya
A potentially simple legal drama is elevated into something far more urgent and powerful in the hands of Todd Haynes and Mark Ruffalo
All the movies worth catching in the capital, from a belated Kubrick sequel to the new Ken Loach social drama...
All the movies worth catching in the capital, from a truly mad take on Lord of the Flies to a timely gentrification drama...