With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Mark Rylance is on solid form in director Fridjof Ryder's noir-ish stab at folk-horror, but an overall lack of focus hampers the film
David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure
Thomas Hardiman's murder mystery, set during a hairdressing competition, is technically impressive though lacks plausibility
Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge
Aggravating, poorly acted characters and an overabundance of simmering B-plots sink this tale of an obsessive violin instructor
Despite some bold and interesting visual touches, the Madeline's Madeline director delivers a predictable, trope-heavy adaptation
Kogonada’s second feature is an exquisitely acted, low-key drama that makes the technical into something distinctly human
Oscar Isaac is excellent as an Iraq veteran-turned-gambler in the First Reformed filmmaker's morally queasy revenge tale
With both The Woman in the Window and Oxygen now on Netflix, we recommend further viewing in this sweaty sub-genre...