
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Mark Rylance is on solid form in director Fridjof Ryder's noir-ish stab at folk-horror, but an overall lack of focus hampers the film

David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure

Thomas Hardiman's murder mystery, set during a hairdressing competition, is technically impressive though lacks plausibility

Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge

Aggravating, poorly acted characters and an overabundance of simmering B-plots sink this tale of an obsessive violin instructor

Despite some bold and interesting visual touches, the Madeline's Madeline director delivers a predictable, trope-heavy adaptation

Kogonada’s second feature is an exquisitely acted, low-key drama that makes the technical into something distinctly human

Oscar Isaac is excellent as an Iraq veteran-turned-gambler in the First Reformed filmmaker's morally queasy revenge tale

With both The Woman in the Window and Oxygen now on Netflix, we recommend further viewing in this sweaty sub-genre...