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Stan Alexander

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20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Inland review – rickety Lynch riff only shows splashes of imagination

Mark Rylance is on solid form in director Fridjof Ryder's noir-ish stab at folk-horror, but an overall lack of focus hampers the film

Peter Pan & Wendy review – serviceable but just a bit pointless retread of a classic

David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure

Medusa Deluxe review – slick but nonsensical “one-take” whodunnit

Thomas Hardiman's murder mystery, set during a hairdressing competition, is technically impressive though lacks plausibility

The Northman review – jaw-droppingly original and unhinged epic for the ages

Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge

The Audition review – music teacher drama plays more than a few bum notes

Aggravating, poorly acted characters and an overabundance of simmering B-plots sink this tale of an obsessive violin instructor

The Sky Is Everywhere – Josephine Decker’s YA foray is a step backwards

Despite some bold and interesting visual touches, the Madeline's Madeline director delivers a predictable, trope-heavy adaptation

After Yang review – tear-jerking sci-fi lays bare the heart of an AI

Kogonada’s second feature is an exquisitely acted, low-key drama that makes the technical into something distinctly human

The Card Counter review – Paul Schrader thriller hits a royal flush

Oscar Isaac is excellent as an Iraq veteran-turned-gambler in the First Reformed filmmaker's morally queasy revenge tale

Stream With a Theme: The Best Single Room Thrillers

With both The Woman in the Window and Oxygen now on Netflix, we recommend further viewing in this sweaty sub-genre...

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