With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
Kevin Kopacka's meta-natured genre throwback, greatly atmospheric and narratively loose, is never quite what it appears
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
John Michael McDonagh's angry but sluggish adaptation lacks dramatic punch, falling short in its attempts at anti-wealth satire
As Juno turns 15, Yasmin Omar explores how the actor's perfectly pitched turn as an adoptive mother helped to define her career
With the year at the halfway point, our writers choose their favourite films, from Bollywood bangers to belated blockbusters
Emily Watson and Paul Mescal are mother and son in this strange, almost-thriller about a lie with terrible consequences
As Paul Verhoeven's audacious Benedetta lands in cinemas, Steph Green highlights some worthy features about cinematic Sisters...