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Related Reviews/Features

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Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far

No Hard Feelings review – something’s off with this “raunchy” sex comedy

Jennifer Lawrence returns to the Hollywood mainstream with a movie that both avoids its own premise and tries way too hard

Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Beau Is Afraid review – no cure for childhood trauma in Ari Aster’s latest

The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle

Peter Pan & Wendy review – serviceable but just a bit pointless retread of a classic

David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure

Repertory Rundown: What to Watch in London This Week, From Raimi to Rio Bravo

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Raging Bull review – an exhausting, bloodied, technical tour-de-force

Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome

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Sarah Kambe Holland’s debut feature, expanding on her short of the same name, pairs bold queer storytelling with a rich visual world

Three Colours: Blue review – Krzysztof Kieślowski’s morose yet optimistic masterwork

Thirty years on, the renowned Polish filmmaker's tragic trilogy-opener proves every bit as masterful as its brand new 4K re-release

Pearl review – sublime horror prequel exceeds the original in every way

Mia Goth gives a terrifyingly hypnotic, career-defining turn in Ti West's wildly entertaining and colourful confection of a movie