Guy
Related Reviews/Features
The Innocent review – 60s-inspired heist movie with an existential twist
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
So Foul a Sky review – lyrical but meandering look at Venezuela’s competing national crises
This dreamlike doc might lack punch, but it's an effective study of the self-inflicted hopelessness of the 21st century world
Barbie review – Ryan Gosling steals the show in Greta Gerwig’s hilarious and profoundly pink spin on the iconic toy
Packed with enough jokes and visual inventiveness to get around the corporate feel, this follow-up to Little Women is a vibrant treat
Ruby Gillman, Teenage Kraken review – sweet and breezy, though haven’t we seen this before?
The latest effort from DreamWorks Animation doesn't seek to reinvent the wheel, but manages to charm in spite of its familiarity
Guy Ritchie’s The Covenant review – Afghan war thriller brings recent headlines to exciting life
The Lock, Stock director stamps down on a lot of his usual flourishes for an earnest war movie about brotherhood and honour
Transformers: Rise of the Beasts review – insulting franchise reboot is the M&M’s World of movies
The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
Dead Shot review – thinly sketched but propulsive Troubles-set revenge story
The Guard brothers' '70s-set second feature uses the styles of the decade to set itself apart from the Brit-thriller pack
Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war
Rodeo review – unpredictable and adrenaline-fuelled debut stuns at every turn
Lola Quivoron’s ferocious first feature follows a young woman looking for her place among Paris’ clandestine community of motorbikers
Tetris review – far-fetched but fun video game origin story is an 8-bit Argo
The strange new genre of "corporate biopic" gets off to a decent start thanks to a charmingly optimistic turn from Taron Egerton