With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Mark Rylance is on solid form in director Fridjof Ryder's noir-ish stab at folk-horror, but an overall lack of focus hampers the film
Benjamin Millepied's debut film gets some heat out of Paul Mescal and Melissa Barrera but feels like an over-extended music video
David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure
Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge
Ilya Povolotsky's atmospheric look at the inhabitants of Russia's Kola peninsula is gorgeously shot but somewhat opaque
Despite some bold and interesting visual touches, the Madeline's Madeline director delivers a predictable, trope-heavy adaptation
Kogonada’s second feature is an exquisitely acted, low-key drama that makes the technical into something distinctly human
Oscar Isaac is excellent as an Iraq veteran-turned-gambler in the First Reformed filmmaker's morally queasy revenge tale
This fourth entry in the MonsterVerse delivers on the promise of its iconic bout, though is let down by a generic script and dull humans