With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Terrible jokes, cringe-worthy performances, and jaw-droppingly ugly VFX work make for a truly wretched blockbuster experience
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Sidney Poitier’s first directorial effort makes for a wild ride, packed with memorable turns and smart filmmaking
From eye-opening documentaries to intimate dramas, we highlight the films that might have slipped beneath your radar this past year...
As the month-long celebration kicks off again, Steph Green offers a pathway into the most morally murky of all movie genres...
Lacking any sort of identity outside of "this hero kills people," this is just one more generic superhero story to throw on the pile
Florian Zeller takes a baffling, colossal step backwards in a follow-up to The Father that has nothing to say and still says it badly
Ana de Armas is well-cast as the Hollywood icon in the Australian director's beautifully made but repetitive and exhausting film