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Related Reviews/Features
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In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
Medusa review – surreal Brazilian protest film is a strange but unwieldy political object
Though it conjures up some compellingly freaky ways to visualise internalised misogyny, there's more to irritate than intrigue
You Can Live Forever review – compassionate performances save an overly predictable tale of first love
The Quebecois Jehovah's Witness community makes for an interesting backdrop in an otherwise familiar Canadian debut
Raging Bull review – an exhausting, bloodied, technical tour-de-force
Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome
Law of Tehran review – fierce and propulsive Iranian crime drama
Director Saeed Roustayi delivers an ambitious, morally complex thriller that thrives on left-field turns and gritty atmosphere
Charcoal review – a family takes in a mob boss in an accomplished crime debut
Though a little devoid of incident, strong writing and performances make for an immersive slice of working class Brazilian life
Till the End of the Night review – well-acted but distracted exploration of love and identity
Christoph Hochhäusler’s queer crime drama has electric chemistry to boot, but loses itself in an overly complicated and winding plot
Every Darren Aronofsky Film, Ranked
To coincide with the release of The Whale, Rory Doherty sorts the divisive and religiose director's canon from grating to great...
The Good Boss review – scales factory satire maintains a fine balance
Javier Bardem makes for a powerful anchor in this cutting Spanish dramedy about a boss's entitlement and overreach
Great Freedom review – historical drama perfectly balances intelligence and empathy
Sebastian Meise's study of systemic homophobia in post-war Germany is magnificently acted and strikingly composed