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Though it conjures up some compellingly freaky ways to visualise internalised misogyny, there's more to irritate than intrigue

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Raging Bull review – an exhausting, bloodied, technical tour-de-force

Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome

Law of Tehran review – fierce and propulsive Iranian crime drama

Director Saeed Roustayi delivers an ambitious, morally complex thriller that thrives on left-field turns and gritty atmosphere

Charcoal review – a family takes in a mob boss in an accomplished crime debut

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Till the End of the Night review – well-acted but distracted exploration of love and identity

Christoph Hochhäusler’s queer crime drama has electric chemistry to boot, but loses itself in an overly complicated and winding plot

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The Good Boss review – scales factory satire maintains a fine balance

Javier Bardem makes for a powerful anchor in this cutting Spanish dramedy about a boss's entitlement and overreach

Great Freedom review – historical drama perfectly balances intelligence and empathy

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