Julianne Moore and Natalie Portman are brilliantly cast in Todd Haynes' acid-tongued take on the real life Mary Kay Letourneau
Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome
Filmmaker Luis De Filippis makes her debut with this nuanced look at identity and togetherness, set over the span of a holiday family
Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer
Despite some brilliant Gremlins-esque puppet work, Jon Wright's film wastes too much time on a sub-Straw Dogs plot
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
The tragically departed star casts a long shadow over Ryan Coogler's intermittently excellent but otherwise bloated sequel
Ana de Armas is well-cast as the Hollywood icon in the Australian director's beautifully made but repetitive and exhausting film
Joel Edgerton stars in the writer-director's third "man in a room" movie in a row, a character study that both confounds and absorbs
As the latest take on Persuasion comes to Netflix, Steph Green highlights some of the author's finest screen adaptations to date