Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again
Wes Anderson's latest retro foray is visually inspired, but too many characters and a formal stiffness always keeps us at arm's length
Though Jason Momoa makes for an excellent villain, this latest chapter winds up as mostly empty and unsatisfying bombast
Though the acting and plotting have not aged well, this is still a fascinating time capsule, balancing nostalgia with progressivism
Elizabeth Banks's third directorial effort is effective whenever it's in slasher/horror mode, but painfully unfunny jokes drag it down
Harris Dickinson gives another sensational turn in writer-director Charlotte Regan’s stylish debut, a playful father-daughter story
The British actor is irresistible as a chirpy housekeeper on a mission to buy a Dior dress, in a film that warms like a nice cup of tea
Unless you're already deeply invested in Clerks lore, you won't get much out of this intermittently fun but badly acted legacy sequel
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
As Juno turns 15, Yasmin Omar explores how the actor's perfectly pitched turn as an adoptive mother helped to define her career