The debut from YouTubers-turned-filmmakers the Philippou brothers makes for sharp, bloody viewing, even if it runs out of steam
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Alex Holmes’s film about the first American Tour de France winner is sometimes fascinating but could have used a little more punch
Mark Rylance is on solid form in director Fridjof Ryder's noir-ish stab at folk-horror, but an overall lack of focus hampers the film
Dionne Edwards’ impressive debut is well directed and packed with wonderful performances, but fails to fully develop its Big Themes
Hannah Peterson's deft, heartbreaking debut film explores trauma through the perspectives of three people touched by tragedy
Benjamin Millepied's debut film gets some heat out of Paul Mescal and Melissa Barrera but feels like an over-extended music video
Julianne Moore and Natalie Portman are brilliantly cast in Todd Haynes' acid-tongued take on the real life Mary Kay Letourneau
David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure
The strange new genre of "corporate biopic" gets off to a decent start thanks to a charmingly optimistic turn from Taron Egerton