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Related Reviews/Features

Oppenheimer review – relentlessly gripping and gargantuan account about the weight of genius

Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far

Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Transformers: Rise of the Beasts review – insulting franchise reboot is the M&M’s World of movies

The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core

Indiana Jones and the Dial of Destiny review – serviceable sequel is digging in the wrong place

Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration

Hypnotic review review – slice of Nolan-esque hokum is too twisty for its own good

Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there

Three Colours: Red review – Kieślowski’s trilogy capper seals his place in cinema history

The climatic entry in the director's seminal film series, released months before his death, is the ultimate expression of his viewpoint

Tetris review – far-fetched but fun video game origin story is an 8-bit Argo

The strange new genre of "corporate biopic" gets off to a decent start thanks to a charmingly optimistic turn from Taron Egerton

Pearl review – sublime horror prequel exceeds the original in every way

Mia Goth gives a terrifyingly hypnotic, career-defining turn in Ti West's wildly entertaining and colourful confection of a movie

Next Exit review – lo-fi road movie takes an all-too-familiar turn

Mali Elfman's initially intriguing debut grapples admirably with notions of love and death but its drama is too thinly realised

Sharper review – New York-set psychological thriller is unoriginally blunt

Despite a stacked cast and an intriguing set-up, Benjamin Caron’s twisty film eventually gets caught in its own web of cons