Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration
Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there
The climatic entry in the director's seminal film series, released months before his death, is the ultimate expression of his viewpoint
The strange new genre of "corporate biopic" gets off to a decent start thanks to a charmingly optimistic turn from Taron Egerton
Mia Goth gives a terrifyingly hypnotic, career-defining turn in Ti West's wildly entertaining and colourful confection of a movie
Mali Elfman's initially intriguing debut grapples admirably with notions of love and death but its drama is too thinly realised
Despite a stacked cast and an intriguing set-up, Benjamin Caron’s twisty film eventually gets caught in its own web of cons