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Related Reviews/Features
The Beanie Bubble review – a grim new low for the “corporate biopic” genre
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
La Syndicaliste review – Isabelle Huppert powers a shockingly bleak true story of corruption
The case of Maureen Kearney makes for a fury-inducing, though oddly slow, paranoid thriller of intimidation and harassment
Run Rabbit Run review – frustrating attempt to capitalise on the maternal horror boom
Sarah Snook can't save an overstuffed and predictable film that fails to fully explore its subject matter – or create any genuine scares
Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes
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Transformers: Rise of the Beasts review – insulting franchise reboot is the M&M’s World of movies
The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
My Imaginary Country review – invigorating insights into a nation at a crossroads
Patricio Guzmán’s multifaceted documentary about the 2019 mass protests in Chile makes for fascinatingly open-ended viewing
Killers of the Flower Moon review – Scorsese’s American epic compels but never quite blossoms
This hugely ambitious take on David Grann's non-fiction book is engaging and well-made, but it's lacking the director's usual spark
Fallen Leaves review – Aki Kaurismäki’s timely romance is a thing of simple beauty
The Finnish director returns with another profound comedy, this time about a pair who meet under the threat of the Russian invasion