Ana Lily Amirpour's hypnotic third feature could be accused of style over substance, but it's so much fun you're unlikely to care
Oscar Isaac is excellent as an Iraq veteran-turned-gambler in the First Reformed filmmaker's morally queasy revenge tale
The Hollywood veteran adapts J.D. Vance's controversial memoir and turns in a pointless, meaningless film that is dull beyond belief
Black rooms and bloody toilets: our writers choose the most frightening scenes in film, from classic horror to coming-of-agers