"With my films, sometimes people don’t know whether to laugh or whether it’s a serious scene, and they’ll ask me: 'Was it supposed to be funny?' It’s awkward for the audience, though a lot of people do like that about the films. It’s often hard for the marketing team to figure out how to market the film. But it’s inevitable, it’s my tendency, and I feel bad for the people trying to help my film. But I don’t think it’ll change anytime soon.” - Bong Joon-ho, Film Comment
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Dominik Moll's queasy follow-up to Only the Animals is a sticky, damning indictment of the way men make the world less safe
A shady manservant plans to usurp his employer in Joseph Losey's fascinating and still timely tale of rich vs. poor, now restored in 4K
With the country still in lockdown, we highlight the best new streaming releases, from charming dramas to fascinating docs
As the strangest of cinematic years draws to a close, our writers pick their favourite films, from unconventional biopics to essential docs
Stop the endless scrolling and start the actual watching with our hand-picked list of the streaming service's most essential movies
With Memories of Murder and Barking Dogs Never Bite both on re-release in the UK, we take a deep dive into Bong's films so far...
The Parasite director's first feature, now available for the first time in the UK, is a brilliantly weird social-curio about a dog killer
From cinema releases to streaming gems, including a brilliant coming of age drama set in London's East End to a macabre slice of Southern Gothic
With Bong's second film re-released in UK cinemas, we look at how the Korean director took apart an ailing genre and paved the way for its more complex future