LL

Landi Li

Related Reviews/Features

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Elemental review – Pixar’s first real love story is charming but a little derivative

Though hardly the studio's best, it feels like a step in the right direction – partly thanks to Mamadou Athie's brilliant voice work

Ziggy Stardust and the Spiders from Mars review – Bowie concert re-release is an extraordinary time at the movies

Half a century hasn't dulled the impact of the gig that "killed" Ziggy Stardust – it's still a perfect goodbye from a perfect performer

Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Indiana Jones and the Dial of Destiny review – serviceable sequel is digging in the wrong place

Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration

Godland review – exquisitely poetic story of colonial folly

Writer-director Hlynur Pálmason sets out in the tradition of Herzog with this visually rich tale of a priest's ill-fated Icelandic expedition

Champions review – a crushingly formulaic underdog sports dramedy

Though there are sweet moments hidden within its generic story, the mediocrity of Bobby Farrelly's new film becomes exhausting

The Middle Man review – off-kilter black comedy doesn’t stick the landing

Norwegian filmmaker Bent Hamer's bleak but well-crafted look at Rust Belt America is a deadpan delight... until an ill-judged last act

Ant-Man and the Wasp: Quantumania review – trilogy capper barely has any interest in its title character

Enjoyable villains aside, this MCU Phase Five opener is a mostly ominous promise of more convoluted, stakes-free things to come

Every M. Night Shyamalan Film, Ranked

Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin