Lisa Ovies
Related Reviews/Features
The Wicker Man review – still the definitive experience in folk horror
Robin Hardy's iconic nightmare is back for its fiftieth anniversary, reaffirming its status as a singular entry in the horror canon
Chevalier review – Kelvin Harrison Jr. impresses in an undercooked biopic
The actor is on excellent form as the unsung 18th century virtuoso, but director Stephen Williams' uneven film can't quite keep time
May December review – thrillingly complex melodrama pulled off with tar-black humour
Julianne Moore and Natalie Portman are brilliantly cast in Todd Haynes' acid-tongued take on the real life Mary Kay Letourneau
Beau Is Afraid review – no cure for childhood trauma in Ari Aster’s latest
The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle
Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war
Godland review – exquisitely poetic story of colonial folly
Writer-director Hlynur Pálmason sets out in the tradition of Herzog with this visually rich tale of a priest's ill-fated Icelandic expedition
Riotsville, U.S.A. review – extraordinary archive doc lays bare the riot-torn 60s
Sierra Pettengill explores the history of police violence to counter civil unrest, probing the status of images as material memories
Shazam! Fury of the Gods review – DC sequel makes an uncompelling case for its own existence
Though there are a few nice ideas, this follow-up to the surprisingly good 2019 original is bogged down by the genre's worst instincts
The Middle Man review – off-kilter black comedy doesn’t stick the landing
Norwegian filmmaker Bent Hamer's bleak but well-crafted look at Rust Belt America is a deadpan delight... until an ill-judged last act
Where God is Not review – eye-opening but difficult Iranian torture doc
Mehran Tamadon asks former political prisoners to restage the conditions of their incarceration in a strange, morally murky film