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The Innocent review – 60s-inspired heist movie with an existential twist
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
Baato review – Nepal’s past and future collide in an immersive, fraught documentary
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
The Beanie Bubble review – a grim new low for the “corporate biopic” genre
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Everybody Loves Jeanne review – thoroughly modern fable of grief, romantic confusion, and climate anxiety
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
The Virgin Suicides review – Sofia Coppola’s enigmatic debut is blissfully strange and sad
Now back in cinemas in 4K, the director's first film, based on Jeffrey Eugenides' novel, remains brilliantly elusive and challenging
So Foul a Sky review – lyrical but meandering look at Venezuela’s competing national crises
This dreamlike doc might lack punch, but it's an effective study of the self-inflicted hopelessness of the 21st century world
Talk to Me review – zeitgeisty horror is slightly derivative but gratuitously fun
The debut from YouTubers-turned-filmmakers the Philippou brothers makes for sharp, bloody viewing, even if it runs out of steam
Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Oppenheimer review – relentlessly gripping and gargantuan account about the weight of genius
Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far
Iraq’s Invisible Beauty review – moving but scrappy look at a photographer and his flailing home country
As a tribute to pre-'80s Iraq, Sahim Omar Kalifa's doc is a touching affair, but it's hampered by dry exposition and terrible narration