
This hugely ambitious take on David Grann's non-fiction book is engaging and well-made, but it's lacking the director's usual spark
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration
Julianne Moore and Natalie Portman are brilliantly cast in Todd Haynes' acid-tongued take on the real life Mary Kay Letourneau
Writer-director Catherine Corsini helms an uneven drama about a woman who returns to Corsica with her two teenage daughters
Genre-shifting director Kim Jee-woon comes to Cannes with a misfire about a filmmaker obsessed with reshooting his last movie
The Finnish director returns with another profound comedy, this time about a pair who meet under the threat of the Russian invasion
Known for her taboo erotic dramas, the director's remake of 2019’s Queen of Hearts fails to make up its mind on what it wants to be
Elene Naveriani's stylish third feature tells the story of a 48-year-old woman who begins to break down the barriers in her life
Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there