LL Cool J

Now Streaming

Related Reviews/Features

Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Spider-Man: Across the Spider-Verse review – web-swinging sequel is out of this world

Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again

Assassin Club review – a baffling cross-continental slog

Henry Golding fails to convince as a contract killer in this bizarrely overcomplicated and painfully bland actioner

Lunana: A Yak in the Classroom review – gentle if obvious ode to the power of education

Bhutan's first Oscar-nominated film tells a simple, satisfying story of a teacher working in one of the world's most remote schools

Infinity Pool review – killer concept with a flawed execution

Brandon Cronenberg's twisted third feature intrigues and disturbs but can't find anywhere interesting to take its best ideas

Manodrome review – a dark foray into the ouroboros of toxic masculinity

Jesse Eisenberg is brilliantly cast against type in a fascinating, flawed thriller with too many moving parts to do its subject justice

BlackBerry review – compulsive, funny chronicle of corporate chaos

The rise and fall of the BlackBerry makes for surprisingly gripping viewing in Matt Johnson's distinctly Canadian tragicomedy