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The Virgin Suicides review – Sofia Coppola’s enigmatic debut is blissfully strange and sad
Now back in cinemas in 4K, the director's first film, based on Jeffrey Eugenides' novel, remains brilliantly elusive and challenging
Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Barbie review – Ryan Gosling steals the show in Greta Gerwig’s hilarious and profoundly pink spin on the iconic toy
Packed with enough jokes and visual inventiveness to get around the corporate feel, this follow-up to Little Women is a vibrant treat
Squaring the Circle (The Story of Hipgnosis) review – incredibly fun tour through rock and art history
Playfully reckoning with the legacy of the iconic design group, this is a compelling look at the ambitions of a long-gone era
Hairspray review – John Waters’ musical finds just the right balance of kitsch and sincerity
The cult director's 1988 film brings his trademark subversiveness into the mainstream through its deft exploration of music history
The Sweet East review – zany and unpredictable depiction of modern American
Sean Price Williams' debut feature is an eccentric and experimental road movie, with standout turns from Talia Ryder and Simon Rex
Pearl review – sublime horror prequel exceeds the original in every way
Mia Goth gives a terrifyingly hypnotic, career-defining turn in Ti West's wildly entertaining and colourful confection of a movie
Reality review – Sydney Sweeney powers a paranoid sweatbox of a film
The 2017 interrogation of US whistleblower Reality Winner is rendered as a taut thriller with a revelatory performance at its core
Lynch/Oz review – an act of film criticism that illuminates and invigorates
Alexandre O. Philippe’s approachable, insightful documentary delves into the director's canon through his love of The Wizard of Oz
Emily review – half-biopic does a disservice to the Brontë sisters
Emma Mackey gives a committed turn as the Wuthering Heights author, but it's not enough to save Frances O’Connor's dour film