The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
An artist like Whitney Houston deserves a tribute with far more energy and personality than this overextended and shallow montage
This acerbic 1982 classic, re-released courtesy of the BFI, tells the story of a 17th century draughtsman embroiled in a murder plot
Florian Zeller takes a baffling, colossal step backwards in a follow-up to The Father that has nothing to say and still says it badly
Justin Kurzel's deeply upsetting film tackles the 1996 Port Arthur massacre with unimpeachable restraint and moral clarity
To coincide with the release of Cyrano, Steph Green delves into the British director's lush and eclectic filmography...
Despite a massive body count, part two of this rebooted trilogy is almost all filler, no killer, treading water until the finale arrives
To mark Bottle Rocket's 25th anniversary, Ella Kemp delves into the filmmaker's symmetrical canon and sorts the good from the grand
From Auteur Theory to Zodiac, we continue our celebration of the Mank filmmaker with an in-depth look at the man and his movies
Jean Seberg deserves better than this dreary and shallow offering from filmmaker Benedict Andrews