Mark Lee
Related Reviews/Features
Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
My Name is Alfred Hitchcock review – mischievous grappling with a legendary filmography
Mark Cousins takes a stab at the most famous director in history... by bringing him back from the dead to explain his own work
20 Best Films of 2023 (So Far)
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Mission: Impossible – Dead Reckoning Part One review – Tom Cruise delivers yet another exhilarating ode to tangible cinema
Christopher McQuarrie and his star do the impossible, delivering a seventh entry that reaffirms exactly what makes the franchise great
Insidious: The Red Door review – horror sequel is more frustrating than frightening
Patrick Wilson makes his directorial debut with this fifth entry, but it's impossible to recommend to anyone other than completists
No Hard Feelings review – something’s off with this “raunchy” sex comedy
Jennifer Lawrence returns to the Hollywood mainstream with a movie that both avoids its own premise and tries way too hard
Repertory Rundown: What to Watch in London This Week, From Bastards to The Big Sleep
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Amanda review – hints of Lanthimos in sharply funny Italian debut
Carolina Cavalli's film about a friendless young woman brilliantly captures the anxiety and social ineptitude of the post-COVID youth