April Lin
Related Reviews/Features
Young Soul Rebels review – story of a young, Black, queer London still feels revolutionary
Though the acting and plotting have not aged well, this is still a fascinating time capsule, balancing nostalgia with progressivism
Rodeo review – unpredictable and adrenaline-fuelled debut stuns at every turn
Lola Quivoron’s ferocious first feature follows a young woman looking for her place among Paris’ clandestine community of motorbikers
How to Blow Up a Pipeline review – eco-terrorism drama is as exciting and radical as its title implies
Daniel Goldhaber's film takes its cues from the paranoid thrillers of the '70s to craft a very fun but deeply serious ode to young activists
Sick of Myself review – outrageous satire will make you laugh with disgust
Norwegian director Kristoffer Borgli spins a fearless rom-com about a woman who chooses to engineer her own self-destruction
Evil Dead Rise review – blood-soaked franchise soars to great heights
Writer-director Lee Cronin shifts the action to a Los Angeles apartment block for this gruelling and absurdly gory revival
Repertory Rundown: What to Watch in London This Week, From Raimi to Rio Bravo
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
The Integrity of Joseph Chambers review – troubling black comedy of misplaced masculinity
Director Robert Machoian returns to themes of male insecurity in a slight, intriguing film about a man on an ill-fated solo hunting trip
Suzume review – breathless, operatic animation will shake you to the core
Japanese animator Makoto Shinkai's latest is an urgent, allegorical adventure about his nation's grappling with natural disaster
One Fine Morning review – lovely, subtle drama about both sides of life
Mia Hansen-Løve changes lanes for a deceptively light romance about a woman, played by Léa Seydoux, dealing with love and loss
Raging Bull review – an exhausting, bloodied, technical tour-de-force
Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome