Dina Amer
Related Reviews/Features
Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Repertory Rundown: What to Watch in London This Week, From Douglas Sirk to Duel
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Ziggy Stardust and the Spiders from Mars review – Bowie concert re-release is an extraordinary time at the movies
Half a century hasn't dulled the impact of the gig that "killed" Ziggy Stardust – it's still a perfect goodbye from a perfect performer
The Graduates review – quiet school shooting drama is searingly powerful
Hannah Peterson's deft, heartbreaking debut film explores trauma through the perspectives of three people touched by tragedy
Notes from a Low Orbit review – slight but magical doc about small-town Scottish life
Mark Lyken's film captures the mundane joys of Hawick life through a breezy 90 minutes that entertains without saying much
The Zone of Interest review – evil is made matter-of-fact in Jonathan Glazer’s chilling Holocaust drama
The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel
Repertory Rundown: What to Watch in London This Week, From Monkey Business to Miami Vice
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Godland review – exquisitely poetic story of colonial folly
Writer-director Hlynur Pálmason sets out in the tradition of Herzog with this visually rich tale of a priest's ill-fated Icelandic expedition
Riotsville, U.S.A. review – extraordinary archive doc lays bare the riot-torn 60s
Sierra Pettengill explores the history of police violence to counter civil unrest, probing the status of images as material memories
Three Colours: Blue review – Krzysztof Kieślowski’s morose yet optimistic masterwork
Thirty years on, the renowned Polish filmmaker's tragic trilogy-opener proves every bit as masterful as its brand new 4K re-release