The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills
An enticingly snowy and spooky premise is wasted on an overlong, unsatisfying, and poorly acted murder-mystery from Scott Cooper
Daisy Edgar-Jones is fatally miscast in an abysmal murder mystery that lacks believable characters or even a trace of tension
With the year at the halfway point, our writers choose their favourite films, from Bollywood bangers to belated blockbusters
With just a few days to go, we asked our regular contributors for their favourite nominees, from Dune to Drive My Car
Ahead of the 94th Academy Awards, we look back at the Best Picture nominees and ask: which one deserves to take home the big prize?
Ruben Fleischer's take on the beloved game franchise delivers some serviceable action, but it can't get over the miscasting of its leads
To mark the UK release of Criterion's beautiful new boxset, Iana Murray looks back on the Hong Kong filmmaker's dreamy canon...