
Netflix's freediving doc features some astonishing footage of terrifying ocean descents, but its storytelling feels oddly cynical

Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there

The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer

As Mark Jenkin's folk horror Enys Men arrives in UK cinemas, Steph Green recommends further viewing in this eerie pocket of cinema

Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills
James Cameron's belated follow-up to his 2009 smash hit excels in its action sequences but is as narratively soggy as the original

This film version of the acclaimed Roald Dahl show successfully taps into what makes Tim Minchin and Dennis Kelly's stage version sing

To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...